Call for Abstracts: Call for Abstracts: Due 1 August 2019 |
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Call for Abstracts: Film-Philosophy 24:2 (2020)
We are issuing a Call for Abstracts for our next general issue of Film-Philosophy(24:2) due to be published in July 2020. This is an open call for abstracts on any subject related to the field of film-philosophy. We welcome articles that take analytic as well as continental approaches We request abstracts of no more than 500 words in the first place, and we will then ask a selection of these authors to provide full papers of around 7500 words. Only one proposal per author please. http://www.film-philosophy.com/index.php/f-p/about/submissions/ Timetable for Film-Philosophy 24:2 (2020):
Please note that accepted authors will be expected to produce the final paper very quickly. Acceptance of abstract is not a guarantee of acceptance of paper. Abstracts should be submitted via our submissions site here by 1 August 2019: http://www.film-philosophy.com/index.php/f-p/about/submissions/ Film-Philosophy is an open access peer-reviewed academic journal dedicated to the engagement between film studies and philosophy. The journal is interested in the ways in which films develop and contribute to philosophical discussion. We particularly welcome articles that set up an active engagement between film studies and philosophy, thereby sustaining a thoughtful re-evaluation of key aspects of each discipline. |
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| Posted: 2019-07-01 | |
Call for Abstracts: Due 1 May 2019 |
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Call for Abstracts: Film-Philosophy 24:1 (2020)
We are issuing a Call for Abstracts for our next general issue of Film-Philosophy(24:1) due to be published in March 2020. This is an open call for abstracts on any subject related to the field of film-philosophy. We particularly welcome submissions on less discussed films in the film-philosophy canon. We also welcome articles that take analytic as well as continental approaches We request abstracts of no more than 500 words in the first place, and we will then ask a selection of these authors to provide full papers of around 7500 words. Only one proposal per author please. http://www.film-philosophy.com/index.php/f-p/about/submissions/ Timetable for Film-Philosophy 24:1 (2020):
Please note that accepted authors will be expected to produce the final paper very quickly. Acceptance of abstract is not a guarantee of acceptance of paper. Abstracts should be submitted via our submissions site here by 1 May 2019: http://www.film-philosophy.com/index.php/f-p/about/submissions/
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| Posted: 2019-04-04 | |
Call for Abstracts: Deadline 1 March 2019 |
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Call for Abstracts: Film-Philosophy 23:3 (2019)
We are issuing a Call for Abstracts for our next general issue of Film-Philosophy(23:3) due to be published in November 2019. We request abstracts of no more than 500 words in the first place, and we will then ask a selection of these authors to provide full papers of around 7500 words. Only one proposal per author please. http://www.film-philosophy.com/index.php/f-p/about/submissions/ Timetable for Film-Philosophy23:3 (2019):
Please note that accepted authors will be expected to produce the final paper very quickly. Acceptance of abstract is not a guarantee of acceptance of paper. Abstracts should be submitted via our submissions site here by 1 March 2019: http://www.film-philosophy.com/index.php/f-p/about/submissions/
The Editorial Board of Film-Philosophy is committed to equality, diversity and inclusivity and implements reviewing, commissioning and publishing processes that reflect these values. Film-Philosophy endeavours to be a forum where scholars from diverse backgrounds can engage in film-philosophical debates. |
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| Posted: 2019-02-10 | |
Film-Philosophy 20.1 (2016) Published |
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We are pleased to announce that the new issue of Film-Philosophy 20.1 (2016) has now been published at Edinburgh University Press. This features a special section on "Film-Philosophy and a World of Cinemas" edited by David Martin-Jones. All articles are free and open access: |
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| Posted: 2016-01-21 | |
Submissions Open |
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Film-Philosophy is open for new article submissions. http://www.film-philosophy.com/index.php/f-p/about/submissions/ Film-Philosophy is now published by Edinburgh University Press and remains completely open access: http://www.euppublishing.com/journal/film Our archives before 2016 will remain accessible via film-philosophy.com
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| Posted: 2016-01-08 | |
Publication and Submissions |
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We are currently publishing our backlog on a rolling basis. If you are an author with an article waiting for publication, please hang on - we're nearly there! Unfortunately we are still not accepting new submissions, but we wll be doing so soon. Thank you, as always, for your support and patience. |
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| Posted: 2015-04-03 | |
Article Submissions Closed |
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| Due to a large backlog, Film-Philosophy is currently not accepting any unsolicited submissions. | |
| Posted: 2012-11-27 | |
Conference: The Film-Philosophy Conference 2012 |
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The Film-Philosophy Conference 2012 (September 12-14, London): Full programme and registration: http://www.film-philosophy.com/conference/ |
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| Posted: 2012-02-01 | |
Conference: The Film-Philosophy Conference 2011 |
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Film-philosophy continues to grow as an important discipline within the fields of both Film Studies and Philosophy. We invite researchers in this area to submit proposals for the 2011 Film-Philosophy Conference to be held in Liverpool, UK. |
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| Posted: 2010-12-05 | More... |
Film-Philosophy III Conference 2010 |
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University of Warwick July 15, 2010 – July 17, 2010 The University of Warwick, with the support of its Humanities Research Centre, is hosting Film-Philosophy III: The Third Annual Conference of Film and Philosophy, 15-17 July 2010. For more details: http://www.warwick.ac.uk/go/film-philosophy |
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| Posted: 2010-07-15 | |
Open Letter to Middlesex University |
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Dear Professors Driscoll, Ahmad, House and Esche The editorial team at Film-Philosophy are shocked at the unjustifiable decision by the senior management of Middlesex University to close down its internationally important and influential Philosophy department. As an Open Access journal in the interdisciplinary field of Philosophy and Film, we publish international scholarly work and host an email discussion salon with an international membership. We can attest to the global profile of Middlesex Philosophy staff, research and teaching programmes in the work that we publish and in the debates they help to shape. No other department within your institution can claim this level of global recognition and respect. More personally, and in common with many of our colleagues teaching in Philosophy and related subjects in the UK and abroad, we have benefitted from the excellent teaching, research and events produced by members of this department. What we can’t understand is how you could countenance damaging that recognition and respect with the dubious claim that it provides no ‘measureable’ benefit to the university. What better measure can there be than the international esteem and influence of the truly ground-breaking work carried out by Middlesex Philosophy staff? To name only one very recent example: the AHRC-funded project (carried out by Peter Hallward and his colleagues) to archive and translate the influential French journal, Cahiers pour l’analyse, which will be an invaluable resource for future research, scholarship and pedagogy in this field. The high ranking of Middlesex Philosophy in the most recent RAE testifies to the international impact and importance of the department. We believe that the name and reputation of Middlesex University is now at stake, and it must be apparent to you that the international outrage at this decision will only increase. It is not too late for you to repair and regain this international respect by reversing your decision and demonstrating what it is you all, as professors, profess to believe in: the value of the university as a place for the open, rigorous and critical intellectual scrutiny of our world. Yours sincerely, The Editorial Team Film-Philosophy (www.film-philosophy.com/) Dr David Sorfa, Liverpool John Moores University Jon Baldwin, London Metropolitan University Dr Havi Carel, University of the West of England Dr Catherine Constable, University of Warwick Dr Sarah Cooper, King’s College London Dr David Martin-Jones, University of St Andrews Dr Douglas Morrey, University of Warwick Dr John Mullarkey, University of Dundee Dr Benjamin Noys, University of Chichester Dr Robert Sinnerbrink, Macquarie University, Australia Dr Richard Stamp, Bath Spa University Dr Damian Sutton, Glasgow School of Art Dr Greg Tuck, University of the West of England Dr Daniel Frampton, Founding Editor, UK |
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| Posted: 2010-04-30 | |
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